The project interprets these elements as both a material and metaphorical space, a stratification that unfolds as a journey into matter itself and the human labor that shapes it. With an area of 500 square metres, the exhibition is defined by a rigorous spatial structure, articulated through layers of material: suspended, opaline “skins” are counterbalanced by fluid aluminum elements. Together, they evoke the processes of subtraction and accumulation within matter, becoming both threshold and presence, and shaping an intimate, introspective spatial dimension.

The layout is designed to create a path articulated into thematic clusters: Water, Identity, Sign, Surfaces, Territory, and Memory.

The cast aluminum mechanical joints are a defining element of the exhibition design. The system, used in entrance walls, display platforms, and film curtains, reinterprets the construction language of the 1930s swimming pool, turning it into a design feature that recalls the memory of the place and the fluidity of water.

The bases, inspired by workshop sculpture pallets, use rivets as structural joints connecting aluminum crossbars to textured wooden surfaces. Satin, butter-toned printed films layer the space and, connected the bottom with male/female screw rivets that also act as tension weights, filter and partially reveal the works through a soft blur effect.

Materials include textured microcement wooden panels, cast aluminum joints, printed satin films, and 80×80 mm aluminum profiles.